Saturday, November 5, 2011

Duma (Full Screen Edition)

  • Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for
Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for cash - all will test Xan's courage and resolve. Join him in this tale of growing up and letting go. It's ! a journey you won't want to miss.This African tale follow the rhythms of director Carroll Ballard's earlier films The Black Stallion and Fly Away Home, namely a child is drawn into the mysteries and magic of an animal. Xan (newcomer Alexander Michaletos) is a 12-year-old living in South Africa with his parents (Campbell Scott and Hope Davis, who appeared as a much different couple three years earlier in The Secret Life of Dentists) when they find an abandoned baby cheetah. They bring it up as their own and name it the Swahili word for cheetah, Duma. After some time, the creature is too big to stay domesticated and Dad tells the boy they will have to journey back to Duma's home to set him free. A sickness makes the family pull up stakes and head to the city where Xan and Duma don't fare well. Xan must take Duma on his own to set him free. To tell more would be a crime. As with any Ballard film, the story is subtext, the visuals rule. First-time cinemato! grapher Werner Maritz fills the screen with the desert landsca! pe and i s able to capture the magnificent speed of the cheetah. Ballard's films seem to build on their own inertia, creating scenes that seem to be simply happening instead of scripted, although this often suffers in the balance of wonderment versus all-too-lucky occurrences. Based on the children's picture book/memoir How It Was with Dooms by Xan and Carol Cawthra Hopcraft, this is a film worth seeking out, especially for families and kids above 5 years old. --Doug Thomas

Charlie St. Cloud: A Novel

  • ISBN13: 9780553386936
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A SMALL-TOWN HERO AND AN ACCOMPLISHED SAILOR WHO HAS IT ALL: THE ADORATION OF HIS MOTHER AND YOUNGER BROTHER, AND A STANFORD SCHOLARSHIP. HIS BRIGHT FUTURE IS CUT SHORT WHEN TRAGEDY STRIKES AND TAKES HIS DREAMS WITH IT.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. ! Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brot! her, Sam. Kim Basinger, too long away from the big screen, is ! grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. HurleyZac Efron stars as Charlie St. Clou! d, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now,! because of his appealing pinup-boy looks. Efron is delicious ! eye cand y in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too ! long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. Hur! leyIn a snug New England fishing village, Charlie St. Clou! d tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book ! becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were generous to include me at many stages of the process but I wasn’t involved with the movie or screenplay. I was fortunate to visit the production ! twice, once on location in a cemetery and another time on ! a sounds tage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and sails, steering a Gryphon Solo, one of the world’s fastest fifty-foot sailboats, filmed by a camera mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his precious life. I always imagined Charlie as much older and much sadder. Thank goodness I’m not a movie producer.

I salute the ! studio and producers for realizing that Efron was a perfect ch! oice. Y oung, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first and only sailboat race.

Vancouver is a country away from the wonderful town where I situated the story. But a movie adaptation isn't su! pposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonfiction book called The Survivors Club, exploring the secrets and science of the world’s most effective survivors and thrivers. Intervie! wing survivors around the world, I discovered even more pr! oof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a reminder of the power of brotherly love and what happens when you take risks, seize life, and set your imagination free.




The Bourne Ultimatum (Bourne Trilogy, Book 3)

Holy Man

  • The always hilarious Eddie Murphy stars with Jeff Goldblum and Kelly Preston in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman is praying for a miracle that will lift the network s lousy ratings and save his job. Then, from out of nowhere, G walks into his life! An outrageous, sel
The always hilarious Eddie Murphy (DR. DOLITTLE) stars with Jeff Goldblum (JURASSIC PARK) and Kelly Preston (JERRY MAGUIRE) in a refreshingly funny hit that elevates shopping to a nearly religious experience! A stressed-out senior executive at the Good Buy home shopping channel, Ricky Hayman (Goldblum) is praying for a miracle that will lift the network's lousy ratings and save his job. Then, from out of nowhere, "G" (Murphy) walks into his life! An outrageous, self-styled inspirational guru with a ! knack for showing up where he isn't exactly wanted, "G" proceeds to wander in front of the cameras just long enough to exude the irresistible star quality that will make him the sales-boosting savior Ricky's network has been looking for! Also featuring a host of well-known celebrities in a sidesplitting series of comic infomercials -- you're bound to be another satisfied customer with nothing but praise for HOLY MAN!Holy Man could have been a stellar satire in the tradition of Frank Capra, George Stevens, or Preston Sturges. Instead, this well-meaning romantic comedy was bluntly written by Tom Schulman (Dead Poets Society) and broadly directed by Stephen Herek, who fared better with his 1995 drama Mr. Holland's Opus. Their good intentions shine through, however, and while it's easy to appreciate Eddie Murphy's attempt to shift his career in a more substantial direction, Holy Man delivers some pointed criticism of commercialism and its deadening! effect on spiritual well-being.

Murphy plays an enlighten! ed eccen tric named "G" (for "guru" or "God"?) who rises to national celebrity when he's enlisted to host a TV shopping network. Jeff Goldblum and Kelly Preston play the show's producer and marketer, respectively, and their formulaic romance provides the movie's lackluster subplot. With skyrocketing ratings and a flurry of cameos by celebrity hucksters (Morgan Fairchild, Florence Henderson, Dan Marino, and even James Brown), G delivers preachy platitudes urging America to stop buying and embrace the finer values of life and love (a hollow message coming from Disney, the most conspicuously commercial of all major Hollywood studios). To its credit, Holy Man occasionally achieves a delicate balance of comedy and commentary, and receptive viewers will be grateful, at a time when crude comedies rule the box office, that someone bothered to try. For that reason, this flawed movie deserves to be seen. --Jeff Shannon

The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
JAMAL WALLAS IS A 16-YEAR-OLD BASKETBALL STAR WITH A SECRET PASSION FOR WRITING. WILLIAM FORRESTER IS A FAMOUS, RECLUSIVE NOVELIST WHO IS ANGRY AT THE WORLD. AFTER AN UNEXPECTED MEETING, FORRESTER BECOMES JAMAL'S UNLIKELY MENTOR AND BOTH MEN LEARN LESSONS FROM EACH OTHER ABOUT THE IMPORTANCE OF FRIENDSHIPFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead,! director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappeared (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual ! attraction that remains almost entirely unspoken. The film tak! es a con ventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of many fine moments for Connery and Brown (a screen natural), in a memorable film that transcends issues of race to embrace the joy of learning. --Jeff Shannondvd Widescreen EditionFinding Forrester could have been a shallow variant of The Karate Kid, congratulating itself for featuring a 16-year-old black kid from the South Bronx who's a brilliant scholar-athlete. Instead, director Gus Van Sant plays it matter-of-fact and totally real, casting a nonactor (Rob Brown) as Jamal, a basketball player and gifted student whose writing talent is nurtured by a famously reclusive author. William Forrester (Sean Connery) became a literary icon four decades earlier with a Pulitzer-winning novel, then disappear! ed (like J.D. Salinger) into his dark, book-filled apartment, agoraphobic and withdrawn from publishing, but as passionate as ever about writing. On a dare, Jamal sneaks into Forrester's musty sanctuary, and what might have been a condescending cliché--homeboy rescued by wiser white mentor--turns into an inspiring meeting of minds, with mutual respect and intelligence erasing boundaries of culture and generation.

Comparisons to Van Sant's Good Will Hunting are inevitable, but Finding Forrester is more honest and less prone to touchy-feely sentiment, as in the way Jamal and a private-school classmate (Anna Paquin) develop a mutual attraction that remains almost entirely unspoken. The film takes a conventional turn when Jamal must defend his integrity (with Forrester's help) in a writing contest judged by a skeptical teacher (F. Murray Abraham), but this ethical subplot is a credible catalyst for Forrester's most dramatic display of friendship. It's one of m! any fine moments for Connery and Brown (a screen natural), in ! a memora ble film that transcends issues of race to embrace the joy of learning. --Jeff ShannonDirector Gus Van Sant brings to the screen this moving story of a grizzled recluse and an inner-city teenager brought together by their shared passion for writing. Like Van Sant's Oscar-nominated GOOD WILL HUNTING, FINDING FORRESTER earnestly explores the struggles of a youthful genius whose position in society (underprivileged kid from the wrong side of the tracks) makes him seem destined for failure until he forms a relationship with a gifted but introverted mentor who helps him see the light.The youthful genius is a talented urban basketball player named Jamal Wallace (Rob Brown), who in his spare time reads everything he can get his hands on, secretly scribbling prose and poetry into a composition pad. The introverted mentor is William Forrester (Sean Connery), who took the literary world by storm with his debut novel, AVALON RISING, 50 years earlier but now spends whole days shu! t inside his Bronx apartment looking out the window onto a basketball court where Jamal hangs out. Buoyed by excellent performances from Connery and newcomer Brown, FINDING FORRESTER paints a compelling, alluring portrait of friendship while offering intriguing insights into the heart and soul of the dedicated writer.IN THIS EMOTIONALLY UPLIFTING DRAMA, A DEDICATED TEACHER GIVES HIS STUDENTS THE GIFT OF INSPIRATION.Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Willi! ams is given plenty of latitude to work in his brand of improv! isationa l humor, though it is all well-woven into his character's style of instruction. --Tom Keogh Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom KeoghTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotlan! d) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor! organizer, modernist poet, and much else, runs a rigorous deb! ate prog ram at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movi! e, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is outstanding as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Dig!

  • Running Time 107 Min System Requirements: Filmed over seven years (1996-2002) and culled from over 1500 hours of footage by rising director Ondi Timoner, DIG! plunges into the underbelly of rock n roll unearthing an amazing true tale of success, self destruction, friendship, and the ultimate rivalry between two up-and-coming bands; Brian Jonestown Massacre led by the tormented, self-destructi
Young children will love to explore all the different textures -- from scratchy sand to scrunchy rubbish -- in this bright, lively board book packed with noisy, busy machines: digger, bulldozer, rubbish truck, tractor and lorry. Based on the bestselling picture book.Grab your shovels and join the fun as Bob the Builder and his terrific team dig up ancient surprises in this all-new movie. A new truck named Rubble joins the Can-Do Crew to help build an enormous amusement park, but when things get difficult! with seagulls and impossible lumps, it’s up to the team to work together to finish the job, unearthing some prehistoric dinosaur bones along the way. Hold on to your hard hat for a roller coaster ride of thrills, discovery and fun!Seven years in the making and culled from over 1500 hours of footage, DIG! plunges into the underbelly of rock ‘n’ roll, unearthing an incredible true story of success and self-destruction. Anton A. Newcombe of the Brian Jonestown Massacre and Courtney Taylor of the Dandy Warhols are star-crossed friends and bitter rivals â€" DIG! is the story of their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and the delicate balance between art and commerce.

Italian fabulist Italo Calvino observed that there are two kinds of artists--those who are prolific and successful, and the tortured geniuses, each gazing at the other in deep jealousy and admiration. The two rock bands chronicled in the documentary DiG! fall easily into this equation. On the side of the tortured geniuses is the Brian Jonestown Massacre, led by the psychedelic and volatile Anton Newcombe. Portland's the Dandy Warhols, fronted by Courtney Taylor, fulfill the role of the artists who, while unable to plumb the artistic depths of their friendly rivals, achieve a fair degree of popular acclaim (in Europe, anyway). Shot over seven years and containing some astonishingly intimate footage, the film represents a labor of love for director Ondi Timoner, who befriended, lived, and traveled with the bands. DiG! will likely be most remembered for a remarkable scene of rock and roll implosion--a show in LA's Viper Room aft! er which the Brian Jonestown Massacre were expected to ink a record deal. Instead, the band erupted in a fist fight onstage. Among themselves.

Does it go uphill or downhill from here? Depends on your definition of the terms. While dooming their careers, the Brian Jonestown Massacre manage to crank out an insane number of self-distributed albums--including three records in a single year. Courtney Taylor and the Dandies regard the musical output of their peers worshipfully! and find themselves virtually ignored stateside but huge star! s across the pond. While tens of thousands of fans in Germany and the UK sing along to every word at sold-out festivals headlined by the Dandies, Newscombe leads his crew in a nine-hour set in a dingy club for an audience of ten. Throughout the film there are controlled substances imbibed, clothing shed, sitars broken, punches thrown, arrests made. Taylor performs double duty as narrator of the film, begging the question of whether to accept his assertion that he fronts "the most well-adjusted band in America" at face value. The destined-for-greater-things Joel Gion, BJM's tambourine player, is the thief of every scene in which he appears, playing Flavor Flav to Newscombe's Chuck D. For those who want even more immersion, the DVD includes the option to "zoom," or expand, various scenes--a very cool feature. Those responsible for the hilarious excesses of DiG! have made a movie worthy of being mentioned in the same breath as This Is Spinal Tap, as mixed an honor as that! might be.

DVD Features

The second of this set's two discs is practically its own sequel. Director Ondi Timoner had 1500 hours of footage to work with, so there was plenty of good material left on the cutting-room floor that found its way onto this supplemental disc. The deleted scenes include an unintentionally haunting pre-9/11 interview on a New York rooftop with BJM's Anton Newcombe; the twin towers loom behind the singer as he attempts to justify singing about love yet engaging in violence, drawing tenuous parallels between himself and militant prophets throughout history. This, and Newco! mbe's delight in listening to Charles Manson's musical recordi! ngs, is about as heavy as it gets, though. Other extras include various videos by the bands, with the conspicuous absence of the Dandy Warhol's David LaChapelle-directed "Not if You Were the Last Junkie on Earth." (The omission is understandable in light of the Dandies' sour grapes over the $400,000 video.) The Where Are They Now features find various members of the bands a little older and reflective, with new families and new gigs, reminiscing fondly on the seven years spent under Timoner's watchful spycam. As is the case with the film proper, the mood picks up whenever Joel Gion appears. When is this guy going to get his own talk show? For fans of Timoner's commentary on disc 1 there is--get this--footage of the director and her partners recording that commentary. Why there's no footage of Timoner watching and commenting on the footage of herself recording the commentary is anyone's guess. --Ryan Boudinot

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Dig These Discs by the Brian Jonestown Massacre


Bravery Repetition & Noise


Tepid Peppermint Wonderland: A Retrospective

Strung Out in Heaven

And This Is Our Music

Thank God for Mental Illness

Bringing It All Back Home Again

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Dig These Discs by the Dandy Warhols


Welcome to the Monkey House

Thirteen Tales from Urban Bohemia

T! he Dandy Warhols Come Down

Dig These Documentaries (and One Classic Mockumentary) on DVD

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This Is Spinal Tap (Special Edition)

Metallica: Some Kind of Monster

Hype

X (The Band): The Unheard Music

End of the Century: The Story of the Ramones

Gimme Shelter


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