Old English 75144 8 Oz. Scratch Cover for Dark Wood
- Cleans, shines & conditions
- Helps prevent drying and cracking
- Protects against ordinary wear such as dust and fingerprints
- Made in the USA
This product is manufactured on demand using DVD-R recordable media. Amazon.com! 's standard return policy will apply.
One of the country's premier outdoors writers makes his chilling fiction debut. It came out on the night of the hunters.Deputy Frank Vaughn is tracking a strange, wounded beast. But there's only one thing more terrifying than what he's hunting. It's what's hunting him.Throughout its long history, Freetown, Massachusetts, has been a hotbed of criminal and supernatural occurrences in the town's State Forest. This is the first account of how its darker side connects hauntings with violent crime and local cults. Native American ghosts roam here and evil lurks, making the forest a haven for nasty creatures (the Pukwudgies). A witch looks for favors from young men, satan cults thrive, and killers kill. Read first-hand accounts from police officials and criminals about the forest. Learn why hauntings continue today. Many come here to enjoy the beauty of Freetown State Forest; these are the stories of those who cannot leave.Stu! dio: Repnet Llc Release Date: 05/30/2006Forgotten somewhere b! etween B ar Harbor, Maine, and New Brunswick, Canada, lies the most remote and mysterious section of the Eastern Seaboard. It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by historyâ¦and a young soprano whose past was a tragedy forgotten even by her.
As the stage is set for the composerâs masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple childrenâs tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.
Into the woods we goâ¦
Exce! rpt from Gingerbread House:
The stageâs light fell upon the witch as she paused before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.
âKommt, kleine Maus-lein, kommt in mein Haus-lein,â she intoned, beckoning towards them entreatingly.
It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.
âCome, little mous-ie,â she crooned. âcome into my hous-ie...â Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witchâs song.
The ground was closing between herself and the witc! h, the g irlâs heart pounding as her heavy boots scraped against the floorboards. Frauline Trudaâs smile seemed inhuman beneath her malformed mask, exposing teeth stained black beneath.
âHocus, Pocus, witchâs charms!â With a shriek of delight, Frauline Truda aimed the witchâs broom at them, its pointed end dwindling to a wandâ¦
Once upon a time, in a village in Germany, there traveled a poor opera company. With them was a brilliant young composer whose career was yet to be written by historyâ¦and a young soprano whose past was a tragedy forgotten even by her.
As the stage is set for the composerâs masterpiece, the young woman is destined to face her worst fear. A dark opera unfolds around her, a simple childrenâs tale becomes a nightmare driving her towards her past beneath the shadows of the Konigsforst.
Into the woods we goâ¦
Excerpt from Gingerbread House:
The stageâs light fell upon the witch as she paused ! before them, a hunched figure in a dress of grimy homespun cloth. Beneath the peeling paper layers and plaster nose, the face of Frauline Truda was almost invisible; her twisted features painted in a corpse-like green and grey.
âKommt, kleine Maus-lein, kommt in mein Haus-lein,â she intoned, beckoning towards them entreatingly.
It was not the voice of Frauline Truda the Viking Maid or Queen of the Night; it was the voice of something cold and evil. Wickedness oozed from it; a seeping, sickly tone that emerged in a slow rhythm, matching the finger coaxing them forward with its long nail.
âCome, little mous-ie,â she crooned. âcome into my hous-ie...â Her trailing skirts swept across the stage as she moved backwards towards the painted cottage. Elsa was frozen in place; Adler propelling her forward by force in step to the witchâs song.
The ground was closing between herself and the witch, the girlâs heart pounding as her heavy boot! s scraped against the floorboards. Frauline Trudaâs smile se! emed inh uman beneath her malformed mask, exposing teeth stained black beneath.
âHocus, Pocus, witchâs charms!â With a shriek of delight, Frauline Truda aimed the witchâs broom at them, its pointed end dwindling to a wandâ¦
Cleans, shines and conditions wax to beautify and preserve wood. Helps prevent drying and cracking and Protects against ordinary wear such as dust and fingerprints. Use on furniture, paneling and cabinets. Scratch covers are ideal for nicks and scratches.